Ellis, Ann Dee. Everything is Fine. New York: Little, Brown, and Company, 2009.
“How’s your mother?”
“Okay.”
“Really okay?”
“Yeah.”
That’s when I looked at Norma’s face again and she had a gigantic mole that I hadn’t really had time to look at closely before. There was a hair in it.
“Does she need anything?”
“Nope.”
The hair was long. But not that long because I hadn’t noticed it before. And it was blackish brown like Norma’s hair-ball head.
“Can I come and see her?”
Silence.
No.
No, you cannot see my mom. No, you can’t, you fat fat lady with a red car and no cats.
“I don’t think so,” I said.
“Okay.”
“Really okay?”
“Yeah.”
That’s when I looked at Norma’s face again and she had a gigantic mole that I hadn’t really had time to look at closely before. There was a hair in it.
“Does she need anything?”
“Nope.”
The hair was long. But not that long because I hadn’t noticed it before. And it was blackish brown like Norma’s hair-ball head.
“Can I come and see her?”
Silence.
No.
No, you cannot see my mom. No, you can’t, you fat fat lady with a red car and no cats.
“I don’t think so,” I said.
Mazzy's fine. Her mother, even though she's been practically catatonic since a family tragedy, is fine. And her father is fine, wherever he might be. Everything is fine. As long as no one outside the family asks too many questions, that is. And as long as Mazzy can figure out a way to bring the light back into her mother's eyes, and bring her father home.
Absolutely outstanding. Every character, even minor characters, were perfectly fleshed out. Everything Mazzy said and did was believeable, and her voice was so incredibly real I could almost imagine her jumping out and talking to me. Even though the story is dark, dealing with death and mental disorders, Mazzy was so bright and quirky that she made it bearable. Which also made the fact that she was able to deal with everything herself believeable.
Also, although it's told from the point of view of a child, there are enough clues that we can see what's really happening. We can see how people are just trying to help her, we can see how she's turning to art to express her emotions. We can see the real story, even with a (somewhat) unreliable narrator. It's a perfect balance.
Even though it's rather short, I don't recommend this for some younger readers. There are a few parts that are a little dark. For anyone else though, a great choice. This would make a wonderful book club book as well.